Jonathan Gee Quartet ft. Tim Whitehead, 19th May 2017

Wakefield Jazz was delighted to welcome back the Jonathan Gee Trio for this, its 30th Anniversary gig. Jonathan has made appearances at the club over nearly 20 years, always to sustained acclaim, but his return on this date was particularly apt and keenly anticipated because five years previously, on the Club’s 25th Anniversary, he had…

Pete Oxley/Nicolas Meier Group, 31st March 2017

What’s new in the world of guitars? Can an instrument now so ubiquitous, its many styles so familiar and an endless parade of fine practitioners offer something fresh and exciting? One answer to that is that at its finest, the simple majesty guitar music has no need of unending novelty; and as Chopin expressed it,…

Zoe Rahman, 24th March 2017

One of the delights of seeing Zoe Rahman perform with her band is to witness her alertness and responsiveness to fellow band members: clearly, she is in her element by surprising (or perhaps, being surprised by) fellow musicians—and much of the fun is seeing and hearing this added element to collective jazz improvisation. So, it…

Talinka Quartet, 17th March 2017

For anyone with a concern to keep music in neat categories, jazz in all its splendid variety is the irrepressible resistance. Improvising musicians can start anywhere, with any material and with any combination of instruments and create sounds that are at once familiar and recast afresh. While it’s true that the viola da gamba is…

Derek Nash Acoustic Quartet, 3 February 2016

It was a full house and then some—so the anticipation was keen; and it was electric from the off. Derek Nash began with playing of a passionate intensity that many an able player would hold back for the end of the set—and that was just the start. This was a Master Class in the saxophonist’s…

Trish Clowes’ My Iris, 20th January 2017

For sheer variety and adventurousness, this band can’t have many competitors. It is important that improvising musicians should continue to write and perform fresh material: it hardly displaces affection for the Great American Songbook—and what musician worthy of the name would accept boundaries around that most creative of endeavours, improvisation? Nearly all of the material…

Remi Harris Trio, 13th January 2017

In his brief introduction to the evening’s music, Remi Harris explained that ‘gypsy jazz’ was American jazz with a French accent. But if Django Reinhardt created an enduring musical hybrid, succeeding generations have incorporated it into their own listening and playing; and because the guitar is now truly a global instrument, it has hybridized again,…

The Lilli Unwin Band, 11th November 2016

It’s a privileged moment to witness a young band transition from ‘promising’ to ‘established’—and that’s what Lilli Unwin and her trio delivered. The promise alone was considerable: Unwin is a rising star, with a fine voice, capable of the expressive requirements of a very wide range of material; and in these parts, pianist Matt Robinson…

John Etheridge and Christian Garrick, 4th November 2016

There is scarcely a musical culture anywhere that has not adopted and adapted the violin: folk, dance and sacred musics of every kind have extended its geographic range and its musical expressiveness. At close quarters and when not embedded in orchestral settings, it is even possible to hear more than one of its many voices…

Jeff Williams Quartet, 14th October 2016

The absence of a piano in a drummer-led quartet is certain to shape the music, but for able and compatible musicians the format opens up an inexhaustible range of expressive possibilities. The Jeff Williams quartet was certainly up to the challenge. Their two sets were fiery, passionate displays, and a study of the way in…

Ingrid Jensen Band, 3 June 2016 at Wakefield Jazz

One of the great delights of jazz is the way well-turned improvisations, even on the most familiar melodies, have a way of surprising us. But a live performance can also confound our expectations. What might we have anticipated from a professor of jazz trumpet at the Bruckner Conservatory of Music in Austria? Masterful control, of…